Re Kshanachya Sangatine

Sharing one of my favorite songs. 

 रे क्षणाच्या संगतीने मी अशी भारावले

Poet : Ram More
Music : Dasharath Pujari
Voice:  Suman Kalyanpur
रे क्षणाच्या संगतीने मी अशी भारावलेवेड वेडे घेउनी मी मागुती तव धावलेरे क्षणाच्या संगतीने
With just a brief encounter, I was so influenced that, Without much thinking, almost possessed by the madness, I ran after you.                                             
One meeting was enough to mesmerize me.
ध्यास लागे सारखा आभास होती या जिवाअंतरी तुजला स्मरावे छंद लागे हा नवाया जगाच्या निंदकांचे मी हलाहल प्राशिलेरे क्षणाच्या संगतीने
Obsession has gripped me, illusions distract me. My latest passion is to indulge in your thoughts. (I am criticized by the world for this) but I have learned to swallow the poison of my critics.
संपदा लाभो करी वा दैन्य कोरांटीपरीतृप्त मी होईन नाथा दो करांच्या कोटरीआवरीता आवरेना झिंगलेली पाउलेरे क्षणाच्या संगतीने
It matters not whether wealth comes to my lot or utter poverty. I would be content to simply hold your hands.( The hollow created by two hands held together is compared to a hollow in a tree where birds find shelter कोटकर.
No matter how much I try, I am unable to stop my intoxicated steps ( taking me closer to you).
ना भीती जन-नीतिची मज, तू उभा मागेपुढेरे नको मज स्वर्ग जेथे लाभ देवाचा घडेतारि आता तूच, माझ्या देहि भिनली वादळेरे क्षणाच्या संगतीने मी अशी भारावलेरे क्षणाच्या संगतीने

I have no fear of the world’s judgement, because I see you as my support from all sides. Heaven, where there is an empty promise of meeting God, does not attract me. I call upon you to rescue me from the storms that engulf me within and without.

This is a song purportedly mouthed by a lovelorn woman. It may just as well be imagined as coming from someone like Meerabai.

The sentiment is the same in either case. It is admission of total surrender in love. Only the entity each woman is surrendering to differs. One is surrendering to a man, another to the divine spirit. Only one of these can emancipate the woman in a complete sense. The other cannot.


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